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Photographs and Video Clips from South India, Easter 2003

Video Clips

In a small village in Tamil Nadu, southern India, a priest conducts the arti ceremony, offering fire, water, food, flowers and incense in front of statues of the gods.
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In the early morning a fresh rangoli pattern is created to welcome the day
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Photographs

The Cochin Synagogue

The Paradesi synagogue in Cochin was founded and built in 1568 and later enlarged in 1662. Paradesi (foreigners) were exiles who settled there from Cranganore (Kodungallur), further up the Malabar coast. They were later joined by Jews from Aleppo (Syria), Holland and Germany.

Hundreds of old hand-painted porcelain tiles brought from China pave the floor, no two of which are identical. The synagogue keeps a rich collection of items: crystal chandeliers, gold and silver decorated Torah-scrolls crowned with solid gold and set with gems given as gifts by the rajahs, an oriental carpet in front of the ark given as a gift by the Ethiopian emperor Haile Selassie, and two brass columns symbolizing the pillars of the Temple.
There were settlements of Jews in south west India from at least the first century of the Christian era. Their main centre was the seaport of Cranganore. From the fifth to the fifteenth centuries the Jews in this area had virtually an independent principality ruled over by a prince of their own tradition and choice. The Jewish community was enriched by the arrival of Jews from Spain and other European countries. In 1524, however, Jewish homes and synagogues were destroyed by Moors, and survivors fled to Cochin (Kochi).
 
Christians in India

The Apostle Thomas is said to have arrived in India, at Cranganore on the Malabar coast, in 52CE. According to tradition he was welcomed by a Jewish flute girl.  He stayed in the Jewish quarter, and baptised some of the Jews there.  He finally settled at Mylapore, near Madras (Chennai) on the south east coast, where he lived in a cave.  He was martyred in 72CE and buried beneath what is now the Basilica of St Thomas, built in 1898. A bone from his hand remains in the crypt.

St. Francis Church is the first church to have been built in India in the European style and tradition. The original wooden building of 1510 was soon replaced by the present building around 1546. Vasco da Gama died here in 1524 and was originally buried in the church.  Fourteen years later his body was removed back to Portugal.

The Portuguese were the first Europeans to discover the sea route to India when Vasco da Gama landed further up the Malabar coast, at Calicut, in 1498.  

 

 
Hindu traditions

The sacred thread ceremony marks the passage to maturity for boys of the upper three castes. This initiation (upanayana) takes place between the ages of six and twelve to mark the transition to greater religious awareness and responsibility. At the ceremony itself, the family priest invests the boy with a sacred thread to be worn always over the left shoulder, and the parents instruct him in reciting the Gayatri Mantra*. The initiation ceremony is seen as a new birth; those groups entitled to wear the sacred thread are called the twice-born.

*
We meditate on the glory of the Creator;
Who has created the Universe;
Who is worthy of Worship;
Who is the embodiment of Knowledge and Light;
Who is the remover of all Sin and Ignorance;
May He enlighten our Intellect.

Rangoli is a traditional art of decorating courtyards and walls of Indian houses and places of worship. The powder of white stone, lime, rice flour and other cheap paste is used to draw intricate and ritual designs.  These are friendly to the environment, often eaten by ants and other living creatures, ready for a new creation the following day. They are freshly created each morning to welcome the day and to please God.  They have been called ‘painted prayers’.

Women use their bare fingers or a brush to create various designs from sandstone powder or grain-flour. Sometimes colours and petals are used in addition to flour paste. Some women are so skilled with their fingers that they can create figures of deities, chariots, temples, etc. Most of the Rangoli designs are motifs of animals and birds and plants, flowers, and leaves such as coconut, lotus, and mango.

http://www.kamat.com/kalranga/art/rangoli.htm

Nandi is the sacred bull that Shiva rides. He is symbolic of strength, faith, and constancy in belief.  Here a worshipper prays before Nandi in the Minakshi Temple at Madurai, South India.

One of the twelve soaring towers (gopuras) which dominate the huge Minakshi Temple at Madurai. These are covered in vividly painted figures of animals and deities.

Puja (worship) is the act of showing reverence to a god or to aspects of the divine through prayers, songs, and rituals. During puja an image or other symbol of the god serves as a means of gaining access to the divine. This image is not the deity itself; rather, it is believed to be a focal point for honouring and communicating with the god.

At Mahabalipuram a huge, natural boulder is perched precariously on a rocky slope.  This is known as Krishna’s butter ball. Krishna is well known among Hindus as the Makhana-cora (butter thief). He used to steal butter from the houses of neighbours at Vrindaban as a child, eating it himself or sharing it with monkeys!

Carved into the stone on this cliff face at Mahabalipuram (near Madras) is this wonderful image of the river Ganges descending from the sky.  In the monsoon season, rainwater gushes down the crevice in the rock, watched by animals and various divine beings.

The water of the Ganges is considered to flow from the spiritual world.  One story tells of how a devout man, Bhagiratha, prayed for the sacred water to descend from heaven.  When his prayers were answered, the water came with such force that the god Shiva had to hold out his matted hair to catch the river and soften its fall to earth.

The ancient Hindu symbol of the swastika is clearly visible in this window design in the Airavateshvara temple at Darasuram in Tamil Nadu.  This temple, dedicated to Shiva, was built in the twelfth century. Airavata was a white elephant who worshipped Shiva at this spot.

 

Thanjavur bronzes:

Krishna dancing, Semangudi 12-13C

Chandikesvara, Muthepet 11C.  Chandikesvara (one who maintains accounts) is a member of Siva’s divine court, his chief servant and manager of his worldy property.

Bhikshatanar, Siva in beggar form, Tiruvengadu, 1040.

 
A Temple wedding

 

This page last updated 10 March 2006


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